When Miley Cyrus quit Twitter, it made news, but we're not sure why, since her claims of privacy were trumped by her YouTube video rap, which wasn't very private at all. When Michael Ian Black quits Twitter, it's strictly business. Funny business. Black has joined Lisa Cohen in creating a comedian version of Twitter called WitStream.
The site is up and running in beta already, but informally launches with a live stand-up comedy show on Monday, Nov. 2, at Comix in NYC, with performances by Black, Michael Showalter, Pete Holmes, Josh Fadem, Morgan Murphy at Baron Vaughn.
One way WitStream hopes to stand out vs. Twitter is how it makes running conversations easier to follow than @replies, such as this example (see inset at left) following one woman's query about fart etiquette.
They're all representative of the kinds of funny people WitStream wants to be in business with, sharing short bits of comedy and starting dialogues. The launch press release noted that "founding contributors" also included Rainn Wilson, Al Yankovic, Mike Birbiglia and Rob Corddry, and mentioned that Black would be leaving behind his 1.36 million Twitter followers @michaelianblack, hopefully bringing them with him over to the new site. "WitStream is like going to a party with the funniest people you know without leaving your house or dealing with their annoying problems," Black said.
I InterSpoke with WitStream founder Lisa Cohen about her new venture, and competing with Twitter -- which launched a new feature called Twitter Lists last night that seems like a response to services such as hers.
"My response to the lists is this: At the end of the day it's still a lot of proactive work dumped into the lap of the user/reader. Yes, they can now make lists out of those they are following, but what if that total list is small and boring to begin with? It takes a lot of insider knowledge to find the good ones in the first place. And let's say someone is engaged enough to have a following list as inside-comedy as mine. They also have co-workers and community members and politicians and chefs they want to read on Twitter, so who's to say the comedians will be heard above all that noise? They're too good at this, they deserve their own space, and by living all together they're helping each other gain broader exposure."
I first met Cohen at this summer's Just For Laughs festival in Montreal. How has her gameplan changed in the three months since then?
"I could spend about another six months making everything perfect featurewise, and I still have a long list of everything I want to do, but it's at a place where we can put it out there and see how people like it," Cohen said. "It probably hasn't changed that much. I put it live just before Montreal just because I knew I was going to be talking it up. Back in July I had maybe 30 people on there. Now I have maybe 100. It's been a lot of signing up people, perfecting things, getting the bugs worked out, learning things from use. It's a living, breathing thing that's always evolving, so you have to learn how people use it. I now have a thing called spotlight."
The site also spotlights each member with a profile page that includes a bio, schedule for upcoming live shows, and pages for them to share videos, reviews and sell merchandise.
What about Twitter?
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