Despite our belief that the Internet demands immediate attention and responses, sometimes things take time. Patience, my little crickets. So maybe it took a year and a half after the 92YTribeca's spoof of the New York Times "Weekender" ads for someone to produce what the New York Post's ad might look like. And that someone was comedian Jordan Carlos. Funny friends here include Dan St. Germain, Chris Grace, Jamie Kilstein and Liz Miele. "It costs less than Skittles!" That maybe one of the new quotes I can use that's not NSFW.
Which means, enjoy!
The full cast: Jordan Carlos, Jesse Ruuttila, Katharine Heller, Lynne Rosenberg, Mary Catherine Green, Matthew Maragno, Chris Grace, Jamie Kilstein, Liz Miele, Wil Petre, Molly Knefel, John Knefel, Dan St. Germain, Sean O'Connor, Charlie Kasov, Jay Nog
Someone asked me if going first in a contest meant certain elimination. That entirely depends upon a few factors, such as: How proficient your host is in warming up the audience and getting them to laugh, what time your show starts (the later, the better, it'd seem), and how quickly you can get an audience to laugh. In the first two nights of prelims during the Boston Comedy Festival contest, the comic who drew the first slot advanced from each of the later shows, but not from the earlier shows. On night three? Foreshadowing. Or not.
Kaplan knocked his set out from the start, riffing callbacks on pretty much everyone who went before him, starting by announcing: "I'm also 1/2 white...and the other 1/2 white as well." Then landing a joke that combined "baloney pony" and "rapex" before going into his own, already-strong routine, closing by putting his wordplay to extended play on the word, "boobies." Hooray-bies! No doubt as to whether he'd advance.
Lewis, by the way, was one of several biracial comics of the black/white variety to perform this week (and the one Kaplan was calling back to), which, you might think, could be of benefit to Obama's candidacy if somehow all of these comedians could help him. Anyhow. Got off-topic for a sec. He joked about how blacks run everything in Alabama, and how people mistake him for Mexican. I don't think Mexican jokes work as well in Boston, just because the Latino influences here aren't from there. But it didn't hurt his score.
Hawkins wasn't shy about announcing he was the only Canadian competing. The start of his set took a similar reversal of gender roles pattern that Eric Hunter used to score victory the previous night (an almost completely different set of judges, though, and no, I was not among them), joking about how women act in the dance clubs. Halfway through, he shifted to cat territory, and how he's not good with felines, with a lengthy act-out that had you thinking, where's the Meow Mix? Earlier this summer, Hawkins, from Edmonton, won the "Homegrown Comic Competition" at Montreal's Just For Laughs.
Boeh avoided making a joke of his name (Ty Boeh) because, well, he had just come back to Boston from winning the first week of prelims in the San Francisco Comedy Competition, and he has other jokes in his arsenal. Such as a guy pimpwalking on a treadmill. Or a local slogan for Harpoon beer. But the real feature of his routine on this night would be beatboxing and noisemaking, with big sound effects on having sex with women of the black and tracheotomy variety. I discussed this with another comedian last night, and it's one of those things that can divide comics in a contest when you see a competitor who closes with beatboxing or singing or playing an instrument. They almost always get a huge crowd response. Is that a bad thing? Depends upon whether you feel the point is telling jokes, or getting laughs. Whatever works, right? This is a debate we can have sometime down the road.
The rest of this group suffered some bad breaks. Liz Miele never had a chance going first, as the host had bombed. Maggie MacDonald, going second, had Miele warming them up, but her strong set based on her veterinary job apparently still not enough. Could it have been too sexual? Who knows. I wasn't judging this night. Joe Vespaziani, going third, had a brilliant set, so what happened there? I'd thought he was a cinch to advance, with jokes about turning 40, watching porn with the closed-captioning, body pillows, untying a vasectomy and more. He got robbed. And I'm not just saying that because I competed with him 10 years ago in the 1998 Seattle Comedy Competition. Ira Proctor managed to pop the microphone, which got him off on the wrong foot, which in turn, only plays into his onstage humorous rage. And Ms. Pat came a long way from Indianapolis to tell us about where her daughter puts her Oreo cookie crumbs (!).
OK. Moving on...
Rumor has it that Liz Miele began telling jokes right out of the womb. Fact is she waited until she was all of 16 before her first live stand-up gig, which was at the Comedy Cellar. Ahem. Miele just turned 22. And this Friday, you can see her on Comedy Central's Live at Gotham. Here's a clip.
Updated with a clip of Miele talking about a creepy co-worker...
Carolines closed out its second annual March Comedy Madness on Tuesday night with two very intriguing Final Four matchups. One half of the bracket pitted boyfriend against girlfriend, while the other half could best be described as the single white guys uncomfortable with the ladies division. Comedians performed with a scoreboard clock ticking behind them, as well as his or her competition sitting and/or standing on the side of the stage.
First semifinal: Boyfriend against girlfriend, aka Reese Waters vs. Liz Miele. Waters (pictured) went first and, after a hesitant first 30 seconds warming up to the crowd, he really delivered with a fresh and funny take on Obama vs. Hillary and picking between a black man and a white woman, spinning it in turn on the audience's choice between himself and Miele. Miele's best jokes, coincidentally, came late in her five-minute set with bits about dating a black guy (though she never name-checked Waters specifically).
Second semifinal: Single white guys uncomfortable with the ladies, aka Dan Hirshon vs. Rob O'Reilly. Hirshon went with awkward and insecure, while O'Reilly went with overcompensating overconfidence. Hirshon also talked about his Jewishness with bits about failing an audition for an extra in The Departed and working at Bertucci's. O'Reilly opened strong with an act-out joke about having sex and being farsighted, then kept talking about sex.
The finals: Waters vs. O'Reilly.
But first, 2007 March Comedy Madness champ Julian McCullough returned for a guest set while the semifinal votes were tallied. An odd decision for two reasons: 1) McCullough hit strong, making the finals a bit weird because the audience now would subconsciously be comparing the finalists to him, and 2) when the finals kicked off, O'Reilly and Waters would restart not only cold, but also without any of their better jokes from their earlier sets to use in a new 10-minute set.
That said, O'Reilly went dirty and racial, whereas Waters followed with a more personal approach talking about growing up black and poor. Waters made that connection with the audience (not that they were made up of poor, black people, but that he made audience members feel more comfortable about laughing, and therefore voting for him), and won. The Carolines contest format made me think about the San Francisco and Seattle comedy competitions, in that anyone can advance in an early round with a great joke or short set (for Carolines, the initial battles were decided by a 1-minute bit and a decibel reader!), but that comedian with a solid 4-5 can collapse in the finals (where in Seattle and SF, you've got to prove you have another solid 20 or more minutes).
So O'Reilly finishes second for the second year, and Waters, for his victory, gets a paid week opening at Carolines, a trophy and an interview with ABC.com and ABC News Now.
Earlier this month, ABC News Now featured McCullough. Here's a link to the video (embedding? anyone?). I'll upload the video with Waters when it becomes available. Also, fun to note in McCullough's performance that they have him play to such a small crowd in a TV studio. That's always a fun time, isn't it? But he does get them going eventually. And Caroline herself is there, too!
Last year's runner-up, Rob O'Reilly (pictured), makes a return trip to the Final Four tonight, and shared some insight with us about the process and the particular peculiarities:
"This year it's me versus Dan Hirshon on one side and Liz Miele vs. Reese Waters on the other side. Interesting side note is that those two are dating. Weirder side note is that so are me and Hirshon.
We do 5 minutes in the final 4 and 10 minutes if you make the finals."
The early rounds got judged by a laughometer (or laugh o'meter, or Laugh-O-Meter, depending upon your pronounciation preferences), while tonight's semifinals and finals decide winners by audience ballot. The showdowns begin tonight at 9:30 p.m. at Carolines. Will the fact that O'Reilly and Miele recently both taped Live At Gotham give them a competitive advantage? You'll just have to go and find out!
The 2008 season of Comedy Central's Live at Gotham debuts the Friday after Memorial Day. But why wait that long for some deep dish insider exclusive scuttlebutt? Especially when we got plenty of bits of tid to share just from swinging by the tapings on Saturday and Sunday at Gotham Comedy Club.
Let's get to it! First off, don't be surprised if many of the guys have a similar look. It's not a new fashion trend in stand-up comedy for the summer/fall runways -- it's a Comedy Central/Levity edict: No red, no patterns, no logos. Also, we learned that TV's standards and practices (read: the censors!) sometimes can actually make your jokes funnier. Matt McCarthy had to change one of his lines from "choke her to death" to "murder her to death" (see? funnier, right?) so it wouldn't sound as though he were endorsing domestic abuse. Baron Vaughn said he couldn't say "KKK.com" in a joke, but realized he didn't need to spell out the Web site for the joke to work. Vaughn noted that Patton Oswalt got a new six minutes out of one joke he had to change years ago for Comedy Central.
Vince Averill was more than just happy to be there. He only got the gig on Wednesday after another comedian couldn't fulfill his or her duties. From first alternate to TV credit. Congrats, Vince.
Lucas Molandes had a funny cover line when the audience didn't know how to react to his dreamcatcher joke: "Sorry I blew your minds with awesome!"
Joe List uses nervousness in his act, so even if he was nervous about his first TV taping, it wouldn't show, would it? Let's ask him, after he's done.
Sunday's final two show tapings had plenty of odd incidents, starting from the top when early show host D.L. Hughley walked offstage with the mic, leaving Paul Ogata wondering what to do. Fortunately, Ogata had a relevant bit at the ready and raring to go. Myq Kaplan blew plenty of minds with his awesomeness, earning multiple applause breaks and the attention of everyone downstairs in the lounge/green room. Very poised. Kaplan told me he had an even better set last week at a showcase for Eddie Brill -- if so, man, Kaplan is on his game. And he didn't let the cold/flu get in the way of delivering a shining performance that'll certainly get him industry attention. Hughley then got Liz Miele's name wrong even though they had the pronounciation in the teleprompter (they should clean that up later, right?) but she seemed unfazed. Shane Mauss, watching his fellow Bostonian Kaplan tear it up, announced he'd go up and get 12 applause breaks. He just might've done it, too. But what I remembered most about his set was seeing him have an "American Idol moment" when the camera panned across the stage and in close-up, Mauss gazed directly in the camera to deliver the set-up punch to his vegan coffee joke.
The biggest thing about the late show Sunday, other than Daniel Tosh and his strong hosting set, was the light show. As in, the lights failing multiple times, most notably during Matt Braunger's set. He was a trooper, though, even starting from the top a third time which must've been difficult considering he had a weary live TV audience to deal with (they can clean that up with his earlier takes, right?). The first time the lights went out on Braunger, without missing a beat, he broke into song: "When the lights...go down...in the city!" Tosh had to return to the stage. "The lights are overheating," he explained. "Which is really good for comedy." During one such break, he exclaimed: "Let's do jokes that won't air. Do you know who loves to get fisted? Sock puppets."
Mary Mack was very nice and funny and you can join us in her writers club, as soon as I find it.
Raj Desai and Anjelah Johnson were both so fun to talk to during the afterparty that I wished I'd seen their Gotham sets earlier last week. James Smith told me he forgot one joke in his set, but I told him not to worry...he can tell it during his next TV apperance! The afterparty brought out most of the comedians who performed during the weekend, plus their friends and plenty of other New York comics. Good times. On a Sunday, even.
Related: Paul Ogata shares his Gotham experience with the folks at Shecky. The Live at Gotham site.