Here's a little message that you may already have known, but never quite as clearly or as melodious as when Tom McCaffrey, Carolyn Castiglia and Mara Herron drop rhymes over the strains of the Oasis song, "Wonderwall." They're letting hip-hoppers know they're onto their game. Roll it.
Seems like everyone has Bieber Fever, but few people who are tween girls know exactly why that is. Why is that, anyhow? Well, if you cannot knock Justin Bieber off of Twitter's trending topics, you might as well join him, right? That's what Mark Douglas and Barely Political have done in their new music video that breaks down what this Bieber Fever is all about, and of course, the 16-year-old Canadian boy's voice is provided by a lady, comedian Carolyn Castiglia. So watch this video, and then you'll know all you'll need to know about Justin Bieber:
Signs say the national economy is starting to turn around. Tell that to many comedians. You think you're broke? There are many of us, and some of us are broker than others. Just ask rapper TMC (Tom McCaffrey), who raps about how less money = mo problems in his world, with backing vocals from Miss CKC (Carolyn Castligia. Roll the rap.
What happens when comedians Tom McCaffrey and Carolyn Castiglia imagine themselves as gangsta rappers? This happens. It's a music video for their rap, "How to Rob Comics." Stuckey from Stuckey and Murray helped direct, and among the many cameos: Janeane Garofalo, Paul F. Tompkins, Aisha Tyler, The Whitest Kids U Know, Leo Allen, A.D. Miles, Nick Kroll, John Mulaney, Amy Schumer, Jackie Monahan, Roger Hailes. Since they rap, they do drop some NSFW language:
Last night's special "on-air" edition of Jon Friedman's Rejection Show featured some very fresh and updated tales of failure and humiliation from comedians. Carolyn Castiglia, castigated by not only anonymous online commenters but also on TV by Jimmy Kimmel (ABC) and Joel McHale (E!) for her performance last year on The (White) Rapper Show, got invited back on TV to compete on the new reality competition show, ego trip's Miss Rap Supreme. The show debuts Monday at 10 p.m. on VH1. You can sneak a peek at the entire premiere on VH1.com and see whether MC Serch can handle what Miss CKC is putting down, freestyle! Also, Khia returns to show us if she's got more than just My Neck, My Back. There's rapper-on-rapper kissing and much more foolishness in store. In this teaser clip, you get glimpses of Miss CKC dancing in the background and rapping her "booty" off.
I may have boycotted the open-call line last Thursday for the New York City auditions for season six of NBC's Last Comic Standing, but that didn't mean I'd miss the boat completely on this opportunity to report from the belly of the beast. Especially when I learned on Friday that several comedians I know were getting called back for TV duty. No lines. Just a few dozen stand-up comedians, sitting around, biding their time for the cameras and special judges Richard Belzer and Steve Schirripa and host Bill Bellamy and everyone else to get ready to roll. Even Barry Katz was in the house, and shook my hand upon hearing me call out his name.
And here's what that scene looked and sounded like. Dan Naturman, whom LCS viewers and comedy fans remember as the guy who got robbed of a spot on the show four years ago when the producers overruled judges Drew Carey and Brett Butler, returned for another go at it. Naturman and Baron Vaughn here talk about joke wording as Michelle Buteau, Eric Andre, Jackie Monahan and others wait for their names to be called.
Moments later, I catch up with host Bill Bellamy, here seen talking with Boston stand-up Myq Kaplan about character-based comedy versus stand-up.
Bellamy and I talked briefly about how his HBO Young Comedians special has been reairing, and he tried to recall his "Tingle Man" bit for us. Then producers called him over to record four takes of teases to intro the NYC auditions. Bellamy really liked pronouncing Schirripa's Sopranos character name. Apparently, five or six comedians (Carla Rhodes and Carolyn Castiglia, among them) already had been waiting inside Gotham Comedy Club's mainstage this whole time (at least a half-hour, maybe much longer) for their two-minute televised audition. Not that everyone, even among these professional comedians with appointments made via their agents and managers, would get the full two minutes. Belzer and Schirripa would prove tough to please. And I could see how it'd be difficult not to take their rejection personally, despite the fact that this is above all else a "reality" TV show. Because you don't normally walk out of an audition, after hearing very critical things said about your performance, to find a camera crew on the other side of the door. As Mike Birbiglia said recently, comedians have to be delusional because an audience that doesn't like your comedy in effect doesn't like you. Some comedians fought back tears. Many muttered profanities about the judges. Eric Andre went into a tirade of riffs so hilarious that the camera crew could barely contain themselves, making me wonder if they might invite him to another audition because of it. That same afternoon, I heard a producer say he thought Belzer and Schirripa were perfect judges for LCS and wished he could have them on every stop. And they did say yes to more than a dozen acts, so they could be swayed. I tried to provide some moral support to Friday's auditioners. Reminding them this is a TV show. Reminding them that it's not about how much funny you have, but about making those two judges laugh in two minutes or less. Reminding them that the judges would already have an impression about you before you opened your mouth. That said, I'm not sure some of the comedians made the best choices to showcase themselves that day. And I definitely don't understand why some of the yahoos who showed up at the end of the afternoon even bothered. The end of the day was when producers had the "wacky" contestants make fools of themselves, all for the chance to be mocked on national TV. Way to go. When Belzer walked back toward his trailer, some of the lucky few were filling out paperwork before that night's showcase. Belzer stopped, pointed at God's Pottery and shouted, "Funny!" He also stopped to praise Stone & Stone once more. No wonder, then, that both duos survived that night's eliminations. But what are duos doing in a stand-up competition? Not sure. At least they'll get some positive press out of it and perhaps some better gigs, if not more.
UPDATED: Oh, I forgot to mention this earlier, but if you thought making a joke about babies was going to get you on TV, you're probably right. They also recorded Bellamy teasing a "dead-baby montage." Congrats?
Over the years, I've witnessed some of the uglier facets of comedy contests as both a participant and as a judge. Last night, however, I saw the sunnier side at the ECNY Awards (please don't call them the Emerging Comics of New York anymore) ceremony at Comix in New York City. Even before the showcase started, you could see something special happening. Comedians got dressed up. There was a red carpet. Small, to be sure, but still there and still red with correspondents talking to a camera in footage that presumably will wind up on the Internet. A very festive air. And so nice to see a scene -- or at least a distinctly unique scene -- come together in celebration of the art of comedy. Host Jon Friedman said they changed the name of the awards KFC-like to just ECNY to show they were rewarding all sorts of comedy, not just the emerging kind. At the same time, though, it would've been nice to really see all of New York comedy represented in the room. When the ceremony ended, several comedians had to turn around and go back to their table because they didn't have their proper receipts on hand for the door guys. We spent the night in a traditional comedy club with traditional item minimums and rules, and yet we could've used a few more traditional club comedians. Maybe next year?
Anyhow. I was saying how nice the night was, right?
Some highlights: The show opened with a six-minute video montage of the nominees speaking directly to the camera. Well-edited. And made funnier after Joe Mande said it'd be creepy if this montage turned out to be their memorial video. Friedman, not only hosting the show but also an organizer and a nominee for best host, acknowledged the conflict, quipping: "This for me is a lose-lose." Later, when he lost, he immediately asked the other "losers" in his category to play his Rejection Show. Another big laugh line from Friedman: "I was told to be very Seacresty." Scott Bateman provided professional animated videos to list all of the nominees. And most of the award presenters brought it, too. Matt McCarthy, presenting best director, opened the proceedings with a wicked Stanley Kubrick from the set of The Shining. Andres Du Bouchet delivered the opening and closing lines from Act 1 of his upcoming fictional one-man-show (100 and Me Percent?) that went over so well, he almost wasn't joking when he said, "I can tell it's going to be a big hit." The Whitest Kids U'Know went to see a psychic yesterday for help determining the best sketch group winners. Carolyn Castiglia joked: "It's great to see so many comedians get dressed up to get drunk and cry. Usually I do it naked and covered in pizza!"
What else? All of the musical comedy nominees performed during the show. Only Reggie Watts got a standing ovation. And didn't win. Eddie Brill received the first "lifetime achievement award" and really took it to heart, confessing in his speech, "I've never been more nervous." They also debuted a new soap opera parody from A.D. Miles called "Horrible People" that'll begin airing soon online on My Damn Channel. I sat next to Jordan Carlos and Andrew WK. Carlos was nice. WK was nice, but awfully quiet aside from his brief stint as a presenter. The show limited acceptance speeches to 30 seconds, but the show still lasted close to two-and-a-half hours. The afterparty at Comix lasted just as long. At said afterparty, Nate Sloan from The Apiary wanted Todd Jackson from Dead-Frog and I to dish our "hot tips." I'm no Gossip Girl. XOXO.
The winners! Congrats to all, for whatever an ECNY Award is worth, you got one! Hooray!
Best Director: Kurt Braunohler
Best Improv Group: I Eat Pandas
Best One Person Show: Nick Kroll (Fabrice Fabrice)
Best Sketch Comedy Group: Harvard Sailing Team
Outstanding Achievement in Flyer or Postcard Design: The Apple Sisters (Matthew C. Johnson, Keith Huang)
Best Technician: Pat Baer
Best Short Comedic Film: Minesweeper: The Movie (Elephant Larry)
Best Website, Original Content: The Onion News Network
Best Website, News and Commentary: The Apiary
Best Host: Eugene Mirman and Michael Showalter, Tearing the Veil of Maya
Emerging Comic Award: Joe Mande
Best Musical Comedy Act: The Apple Sisters
Best Female Stand-up: Kristen Schaal
Best Male Stand-up: John Mulaney
And for those of you playing the Full Disclosure Home Game, four of the five producers of the ECNY Awards also were up for awards (the exception: Alex Goldberg). Friedman (host) and Carol Hartsell (tech) didn't win. Alex Zalben (sketch) and Nate/The Apiary (website/news) won. I was not nominated. Snub? Jackson joked to me that I was too new to New York City to get a nod and would have to wait my turn, like Barack Obama. I'll take an Obama comparison, so thanks, Todd!
UPDATED/CORRECTED! I cleaned up a couple of things in this post that weren't entirely clear when I first wrote them (thank you, commenters!). Also, if you want to see what I look like, as well as Dead-Frog's Todd Jackson, there is a lovely picture of us taken last night by Rachel Kramer Bussel!