On Thanksgiving, you can be forgiven for not staying up late to watch TV, since you may have had other plans, or not even been at home. But that's no excuse not to catch up now. Conan O'Brien welcomed comedian Brendon Walsh to his TBS program for a stand-up set that proves you can say "penis" on late-night basic cable, and also that Walsh takes too much glee in making other people sad, if even just for a moment. Get a load of this turkey.
Roll the clip!
This is pretty much for my American readers (and those of you outside the States who have figured out how to watch clips on Hulu.com). My Hulu visits tend to be more targeted -- I know what's on there and what I want to catch up on -- rather than exploratory missions of curious wonder. That said, one of my friends tipped me off to this new addition to Hulu's online archives: Full seasons of Comedy Central's Premium Blend. Premium Blend was the bigger, louder, hyperactive precursor to Live At Gotham. Look at how the audience and claps as if they're in a Benny Hill sketch. So far, just seasons five, seven and nine are up, for 36 episodes spotlighting 144 up-and-coming stand-up comedians, some of whom have since made leaps and strides, while others have yet to become household names. It's fun to see some of the pairings here, find glimpses of people I know now but didn't back then, as well as comics I was friends with years ago.
Season 5 also is intriguing because it filmed pre-Sept. 11 but began airing Oct. 5, 2001. Remember that weird time for comedy, when society and the mainstream media asked if it was OK to be ironic and sarcastic? It's also a time that gave us early looks at Judah Friedlander, Laurie Kilmartin, Eugene Mirman and Patrice Oneal, all in one half-hour!
From Season 9, here is another lineup that's notable for putting Aziz Ansari (NBC's new Parks and Recreation) together with Boston stand-up vet Frank Santorelli, Austin's Brendon Walsh (who now sports wilder hair and stand-up), and Jo Koy. This aired in February 2006.
The folks at Montreal's Just For Laughs uploaded videos last week from its 2008 collection of comedians participating in the New Faces and Masters showcases, so you can finally see what I saw this summer. Rather than bombard you with two dozen embedded video clips, I'm going to embed one or two of my faves, then link to the rest.
From the 2008 Masters, here is Todd Glass, and you'll immediately wonder, what's the rest of Larry Miller's funny story introducing him, and who is Glass calling back in his jokes. Jokes, people! Jokes! Todd Glass is a comic's comic, so always welcomed here (language NSFW):
And from the 2008 New Faces, here is Sean Patton's set that got industry people talking (language NSFW):
Everyone else after the jump.
The people at Just For Laughs in Montreal decided to recap some of their shows in video highlights, which means you can get a feel for what you saw, or what you missed. Although they don't give all of the New Faces face time (hmmm), but the Just For Laughs video portal (yes, they have their own video portal for you to upload your own funny fun-time videos) includes a highlight reel set to music and with more Galas and French Canadians than any other JFL video. So let's start with that one, with the New Faces, Amp'd and Masters after the jump!
It's time for one last look around the 2008 Montreal Just For Laughs festival, which Variety reports raked in $10 million (which is about the same in Canadian as it is in U.S. dollars these days!) this July. Which means this final recap must begin with the guy who buzzed about the festival...
Doug Stanhope, who set up his Slamdance to their Sundance, aka Just For Spite festival with shows Friday and Saturday at Club Chaos, told me on Saturday night that he'd been offered a paltry $1,100 to perform 10 nights of one-man shows at the fest (or as he added, less than what he earned during his first trip to Montreal's JFL), which prompted his fury. Much of the buzz about Stanhope during the fest itself centered around two incidents, both of which Stanhope wrote about online. He first aired his grievances on Wednesday via 236.com, then on Friday night, after getting kicked out of a JFL venue by fest organizer Bruce Hills, Stanhope went to his MySpace to fill us in on the details.
Most pleasant surprise in a one-man show: Patrice Oneal. Here's a guy who seems so in your face and so not safe for work that, well, that's how his career even began in Boston, challenging another comedian. And he has made his name on the club circuit as that guy who won't take no gruff. But you take him out of the comedy clubs and put him in an intimate theater setting, give him a stool or a chair and just let him speak...wow. As I noted earlier, his one-man show, Positivity, is positively brilliant. He may think he's not getting any smarter. But this show is the smartest thing he has done.
The lucky New Faces bump? Last year, Tom Papa hosted all of the New Faces showcases and handled himself with such professionalism and managed to bring the funny, that I recall singling him out and hoping he'd get a show of his own. This year, Papa got the special one-man showcase named after the late Richard Jeni and earned nightly standing ovations for his show, Only Human. Here's the Montreal Gazette review to chew on. I saw similar magic coming from Greg Giraldo this year in hosting New Faces, and hope he gets a similar promotion in 2009. Giraldo always has mastered the art of topical social commentary, but there also has been so much going on in his world, both professionally and personally, that could be mined for a one-man show. Let's make that happen.
Funniest comic-on-comic impersonation: Greg Behrendt, who introduced himself to the audience as "a 45-year-old alternative comic," doing Russell Brand at the midnight Alternative showcase, slinking his way around the stage and joking about Brand having sex with Kate Moss.
Toughest ticket for a show I wished I'd seen: They say you mock the ones you love (some do), so Behrendt must have been paying tribute to Russell Brand's status as the hot comic of the moment. You had to sweet talk your way into his sold-out performances. Thankfully, I got to see Brand a couple of days later in New York City (my review of Russell Brand).
Toughest ticket for a show I'm not sorry I missed: Apatow For Destruction. Movie producers and movie stars should not always be confused for great stand-up comedians.
How young is he, again? Bo Burnham, at 17, is the new sensation, already signed to Gersh with a Comedy Central EP that zoomed up the iTunes charts. Where did he come from? Outside of Boston, since you asked. He generated some "heat" as they say in the bidness. I saw him the previous weekend open up for Joel McHale at Carolines and deliver an amazingly proficient and efficient 13-minute musical set of songs and rap. How did this tall, scrawny high-school kid making YouTube videos gain so much poise onstage with less than 20 live performances to his credit? He told me. "I'm young, dumb and fearless." Here's a recent fairly NSFW video from Bo fo yo (argh, I just really typed that and didn't backspace backspace delete, didn't I?):
State of the Industry vs. Comedy Person of the Year: Andy Kindler wins in a walk-off, as Kindler filled the room to more than capacity, with people standing in the foyer, then half of them walking out to skip the festival's awarding of "Comedy Person of the Year" to Judd Apatow. Having Apatow did guarantee that all his famous friends and industry associates would show up in Montreal, though, leading to some heartfelt words from Apatow himself, and a funny quip from Seth Rogen: "Look at us. We're a parade of bad fashion...It's like we're at the rehearsal for the award."
Just Comedy? Remember the days when you didn't have to pay $500 to attend a festival thrown on your behalf? Oh, those were days. But Just Comedy's two-day confab proved to be kind of eh. As I joked to Andy Kindler in our short video interview, I only stayed at the Webisode to Episode panel for about five minutes, because that's as long as that panel should have been. Don't they know this already? Because of that, I missed out on perhaps the liveliest panel of the confab, as club owners kvetched at length about the business of live touring.
All-around favorites: You couldn't go anywhere in Montreal without someone reminding you how great John Mulaney and Brent Weinbach were at the festival. I shall sing Mulaney's praises to anyone who asks, and it was great to see him knock it out of the park (that's a baseball term) at JFL, with people especially rapt over his tale of playing a joke on a restaurant at age 11. Mind you, he's only 25 now. He will tape a Comedy Central Presents next month and you will enjoy it. He's also co-headlining at Comix next month (Aug. 22-23) with Nick Kroll. As for Weinbach, he won the Andy Kaufman Award in Vegas last year for a reason, and showed why in Montreal with an over-the-top performance at the alternative showcases.
New Faces recaps: My favorites or yours? Brendon Walsh stood out for me with his cleverness, while Sean Patton surprised me because I had never seen him in a mainstream club before. Harris Wittels delivered the ballsiest set, ending a routine that included misnamed bands and masturbation issues with a joke about racism. Ira Proctor turned it around so much from the first set to the second that veteran Larry Miller couldn't stop complimenting him. Mo Mandel was the singular standout from the other group. Although truth be told, most people I talked to from the industry were relatively underwhelmed by this year's crop of New Faces as a whole. Then again, they were relatively underwhelmed in general.
State of the New Faces Industry: What does it say about the comedy industry and Montreal's New Faces that two of them, Iliza Shlesinger and Jeff Dye, are among the finalists for this season on NBC's Last Comic Standing? A few things. Among them: The NBC producers prefer fresh-faced comedians, even if they're relatively inexperienced, because it allows them to have control (read: earn money) by launching their careers nationally. Also, it means tough luck for industry wanting a piece, as NBC and the producers have them under its contractual spell already. Anyone want to guess whether Shlesinger and Dye already are locked up for the nationwide club/theater tour that follows the season finale?
The Masters: Speaking of Larry Miller, what a class act he proved to be in Montreal, not just for actually watching younger comedians and saying nice things to them, but also for being the consummate host for the Masters showcases. Miller has been one of the more amusing voices of reason on Bill Maher's HBO chat show, Real Time, and it's so nice to be able to see Miller onstage again doing stand-up. As he told audiences, "Almost everyone on the show is someone I've known for years and respect -- and they're all good." Well, I'll be the judge of that. Henry Cho, a Korean raised in Tennesee, "so I'm South Korean." If you didn't enjoy Esther Ku's jokes about getting Koreans confused for each other, what would you make of this master's trip to the homeland with his father: "When we went to Korea, he walked 20 feet away and I lost him!" Hal Sparks continues to sport his Criss Angel hair and magician look, despite how it looks. It looks like Criss Angel. Instead, Sparks ranted against people who miss his short hair, talked about losing his Kentucky accent, and did a big act-out about sexually peaking. Cathy Ladman hates her New York voice, and Montreal audiences weren't exactly thrilled with it, either. Another trip to the therapist and everything will be OK. Henry Phillips and his guitar? Well, here's a little number you may have heard before, "Sweet Little Blossom of Mine." Todd Glass: I hadn't seen him live in four years, and man, how I missed seeing his energetic self. Glass is a guy who's always on, even when he's not on he's on. What a bundle of fun! Remember when Glass was on Last Comic Standing and kept mugging for everyone at everytime...good times. At the Masters, Glass riffed on both Sparks and Phillips and then himself, and destroyed with a bit about how easy recipes are, such as corn pudding! Meantime, here's an oldie but a goodie from Glass. Thea Vidale and I sat next to each other on the "regional jet" up from New York City, and regional jet means really small plane, which means I actually should have and could have used the phrase, "C'mon and sit on Daddy's lap!" And Billy Gardell closed by focusing on how kids have changed and how we've all changed because of anti-depressants, with a presence that shows you what a veteran stand-up headliner's set is all about.
Shuttle buddies: Don't know how it worked out like this, because we didn't see other during the fest and came from different cities, but Kent from Ask A Ninja and I ended up on the same shuttles to and from the airport in Montreal. Serendipity?
But what about next year: What about 2009? As noted or hinted at previously, several industry folks grumbled openly about wondering why they'd come to Montreal again in the first place. The festival certainly didn't dispel stereotypes about the friendliness of French Canadians, as they tried every manner in the book to get industry up to Montreal -- including their annual withholding of the New Faces and Masters names until two days before most would arrive, adding this two-day Just Comedy confab and charging industry $500 to show up -- then giving industry folks multiple hassles once they made it to Montreal. And that's not to mention the outrageous prices in the Hyatt Regency ($3 for a Coca-Cola, $10 for a bottle of beer), the attitude of the Hyatt toward the industry (even though the festival encouraged them to stay in the Hyatt) and the fact that some Hyatt workers were picketing outside made for a big barrel of not-fun. Stanhope wasn't the only one to openly ask if Montreal has become more about making a profit off of comedy fans and less about being a place for discovering and launching comedy careers. So what will happen in 2009 when JFL joins up with TBS to host a comedy festival in Chicago the month before Montreal? Will the industry go to Chicago and skip Montreal entirely? It only served to make me miss the atmosphere in Aspen, a festival run by people who really wanted it to be a home for the comedy industry (even if it proved too expensive and snowy). It also makes me want to start up my own comedy festival, a true showcase to bring industry to the talents worth watching, both new and old. If anyone wants to help me make that come true, please holler my way. Thanks.
The judge's rulings are final. So I'm going to withhold final judgments on some of the New Faces until further review. At Montreal's Just For Laughs, the New Faces have to deal not only with the pressure of a large foreign comedy club, but also with the added nerves of performing for all of the industry people who likewise stand and sit in ultimate judgement from the back corners of the bars, ready to make or break a comedian's career. Wow. What a build-up, eh? First off, let it be acknowledged that nobody bombed last night. Referring to my Simon Cowell Playbook, I can definitely also say, however, that several of the comedians need to do more to make a lasting impression, if they want that impression to be a positive one.
Host Greg Giraldo killed it, both in his opening remarks and also, at the halfway point, after he threatened a particularly persistent idiot heckler, surging into several minutes of high-power comedy. "Maybe I can get a show called Washed Up Hacks Stomp On 60-Pound Dickbags," he wondered aloud. Giraldo also reflected on how important this night was for "these kids," and what it means about his career that he'd be calling the New Faces kids.
Among the kids, the two real stand-outs from last night were Sean Patton and Brendon Walsh. More than a few people asked about Patton afterward and wanted to know what I knew of him, considering that he's based in New York. I have another post coming shortly on that aspect, but can tell you that he delivered a strong set from the get-go, opening with having to call in sick with a case of "the roars," followed by a case of "the beatboxes." With the crowd on his side, he paused for a beat. Then exclaimed: "You motherf%$#ers want to to fight me???" It was the best way I'd ever seen him introduce this bit about how to defend himself in an unexpected fight scenario, and it got a big laugh. He closed wih a weird and wild ode of what his ex did to his broken heart. Messed up, to say the least. As for Walsh, he proved to me once again that the Austin comedy scene seems to churn out very creative and clever comedians. Walsh's opening line: "Just like every other comedian, I have a fictional girlfriend, and we're having problems. It's rough." Walsh also has some very mean pranks up his sleeves, so tell puppies and Gene Hackman to watch out. And he can end any hopes of being forced to sing karaoke again just by taking on "Zombie" by The Cranberries.
For the record, though, current Last Comic Standing finalist Iliza Shlesinger scored not one, not two, but three applause breaks during her brief performance. Someone recently commented on my site that she's like a female Dane Cook, and waching her live, I can see that comparison. Take it for what it's worth. And right now, I can tell that some of you are taking it to either extreme. Suffice it to say, she's physical, she likes playing with sounds, she attacks the stage and has immense stage presence. It's a lot for some to take, I know. I get the sense that Shlesinger is trying to prove a broader point that she should be on TV more, in any capacity, whether it's stand-up or acting. I do know this: You'll be seeing a lot more of her on your TVs this summer, and in the clubs this fall.
Chelsea Peretti and Ira Proctor both delivered decent sets. Proctor's could have been better if the crowd had cooperated with him. Harris Wittels suffered from an unfortunate microphone malfunction, but recovered well enough to deliver a ballsy routine that even the band used as a callback, to hilarious effect on an unsuspecting Giraldo later in the show. There was a moment during Michael Palascak's set when I closed my eyes and thought I heard Mike Birbiglia. Tu Rae's deep voice had his routine down to a couple of key phrases, "know your limitations" and "do the best you can." Is that his advice for his career, too? Discuss. And Erik Griffin, taking the stage last after midnight, didn't get to play to a full and engaged room. They and the other New Face in this group (Seaton Smith) will get a second opportunity to make a first impression on Friday.