the comic's comic

Law & Order sets new record for comedians in an episode that's not about comedy

If I were to tell you that an upcoming episode of Law & Order (any edition) would feature a comedian in a bit part, then you would say, sure, why not. It has happened before plenty of times. In fact, enough times that the second annual Eugene Mirman Comedy Festival has a themed show called The Comedians of Law & Order, happening Saturday at the Bell House in Brooklyn.

Now in it's what got to be a whopper of a coincidence, the original Law & Order just wrapped its fourth episode of the upcoming 20th season, and that episode, called "Reality Bites" and tentatively slated to air Oct. 16, features five -- count 'em, FIVE -- comedians: Jim Gaffigan, Michael Showalter, Livia Scott, Baron Vaughn and Cole Escola. And there's nothing funny about the episode.

As Vaughn relayed to me -- no spoilers, promise! -- the plot revolves around a family of special-needs kids who were going to be portrayed in a reality TV show. "It's the opposite of funny," he said. "Just tragic."

Vaughn has two lines as a medical examiner. Scott plays the foreperson on the jury, and said being in the custom-built L&O courtroom was something else. "It's so impressive," she told me. She's also thrilled to become part of the L&O fabric. Showalter plays the reality-TV producer, so obviously, he gets to have some villainous lines, even if he may or may not be a villain. But we know in our hearts he's a hero, because he provided us with these lovely photos from the set via Twitter (@mshowalter)! Escola (Logo's new Jeffery and Cole Casserole) plays an autistic son of Gaffigan's character, and Escola wrote on his blog, "I have dialogue and a couple of scenes and that's all I should say because I don't want to give away any of the plot. I'm all wet 'n' sticky with excitement!!"

For Gaffigan, this Law & Order stuff must be old hat, right? He has been on regular L&O, SVU and Criminal Intent. He told me that walking onto the set and seeing so many familiar faces from comedy was a treat, but it wasn't intentional by any means. "We all got the jobs. It wasn't like, wouldn't it be cool if we had five comedians in one Law & Order episode," he said.

How did this episode differ from your past L&Os? "I play a guy who is somehow associated with possibly being a participant in a reality show," he said. "Considering that one of those (previous) times, I played a pedophile clown, and one time I played a plumber with an incredibly Greek name. And then the other ones I play a character where I was just the dim-witted guy...for New York actors, it's just so exciting to do that show, because it's been a staple for so long. It's also fun to do."

"When you're guest-starring on Law & Order, you get to play someone who, very close to you someone has just died, and then they say, 'Do that scene.' Or you've been accused of murdering someone. 'Do that.'" You'll have to tune in Oct. 16 to see if Gaffigan did either of those things.

"The Awkward Kings of Comedy" on film

Some stand-up comedy specials try to overwhelm you with flashing spotlights, raucous applause and laughter in cutaway crowd shots, and rapid-fire editing. OR, you could go ahead and showcase some unique comedians and let the material and stage presence speak for itself. In The Awkward Kings of Comedy, director/executive producer Victor Varnado puts the camera directly on his performers -- Baron Vaughn, Eric Andre, Hannibal Buress, host Marina Franklin, and himself -- and gives them the 15-minute showcase sets they deserve to share with the world. Certainly, there are hip-hop beats (provided by King Supernuts the Second), animated sequences for each performer, as well as an opening animation with voiceover narration that suggests two warring African tribes stumbled upon the first "Yo Momma" jokes.

This film isn't about the leaders of the pack, as this intro itself reveals, but rather, about the awkward kid in the glasses standing near the leader, who someday would become "funny...and a little bit weird."

The title also, of course, references back to Spike Lee's 2000 stand-up concert documentary, The Original Kings of Comedy. Varnado's film is an "alternative" nerd response to this, demonstrating that black comedians do not have to do stereotypical black comedy. Whatever that means. During one conversational interlude in the documentary, the comedians discuss the differences between a "predominantly black" crowd and a "predominantly urban" one, and you'll see by watching these performances that they would kill just fine in the former room, but they'd have to work hard for their laughs in the latter. Franklin even acknowledges the difficulties once trying to win over the audience at Showtime's At the Apollo.

Here, though, over the course of two shows taped at 45 Bleecker, the comedians can be themselves and allow an audience to see a "super articulate" man who likes to sing (Vaughn), a multicultural tornado of a comedian (Andre), a laidback guy with punchlines that will floor you (Buress), a black albino with the superpower to make you laugh (Varnado) and a woman who was both the blackest girl in a white neighborhood and the whitest girl in a black neighborhood (Franklin). It's all quite enjoyable, and the kind of special that Comedy Central, HBO and anyone else looking to showcase stand-up comedy should be broadcasting and producing more often.

The Awkward Kings of Comedy has its world premiere screening May 30 at the 92Y Tribeca in NYC, with a post-screening Q&A with Varnado.

Trailer: The Awkward Kings of Comedy

You can now enjoy watching the trailer for the documentary film, The Awkward Kings of Comedy, featuring Victor Varnado, Eric Andre, Baron Vaughn, Hannibal Buress and Marina Franklin. "Comedy plus blackness, to the nerd power." You're welcome.

UPDATED: Now with the actual trailer embedded after the jump.

More comedians in Black Dynamite!

An eagle eye tells me that you can see comedian Baron Vaughn as Black Dynamite's brother in the upcoming feature film, Black Dynamite, which premieres at the 2009 Sundance Film Festival. Watch the R-rated "red band" trailer for Black Dynamite here. I believe Baron is "a mean dude" in this retro-Blaxploitation flick. The cast also features Arsenio Hall as Tasty Freeze, Nicole Sullivan as Patricia Nixon, Tommy Davidson as Cream Corn, and Phil Hughes as as Saheed. Further fun fact: This also is Ars Nova's first feature film as a production company.

From the official trailer on YouTube: "This is the story of 1970s African-American action legend BLACK DYNAMITE. The Man killed his brother, pumped heroin into local orphanages, and flooded the ghetto with adulterated malt liquor. Black Dynamite was the one hero willing to fight him all the way from the blood-soaked city streets to the hallowed halls of the Honky House."

Blogging the 2008 Boston Comedy Festival (finale postscript)

Here were your final results from the 2008 Boston Comedy Festival contest, decided last weekend...

1. Dwight Slade ($5,000); 2. Andrew Norelli ($2,500); 3. Myq Kaplan ($1,000); 4. Dave Waite ($300); 5. Baron Vaughn ($300); 6. Joe List ($300); 7. Rob O'Reilly ($300); 8. Mario DiGiorgio ($300)

How did this happen? Well, let's examine the particulars. The Cutler Majestic Theatre in Boston didn't have its usual packed audience -- my memory tells me that festival organizer Jim McCue (who hosted the finals) had a sure-fire headliner in past years with Lewis Black (whom McCue sometimes opens for on tour) to fill the seats, and without that (The Smothers Brothers were the biggest name on Saturday night), the venue didn't even open the balcony. So you've got comedians used to smaller, more intimate club stages moving up to a big theater stage, except they're playing to a half-house (essentially). So you're playing to the orchestra level and a mezzanine. How do you translate your jokes to a mezzanine? There's that to consider. Also, they put the judges in the Muppet seats (as judge/honoree Steve Sweeney remarked) above the stage and near the speakers, where the acoustics were, well, terrible.

As for the performances themselves, I'm not surprised in the slightest at the top three -- Slade, Norelli and Kaplan performed at a higher level than the other five finalists. Those three could have finished in any order and not surprised me. That's how close they were. In the end, however, Slade owned the stage in a way the others didn't, and that most likely gave him an edge on the judges' scorecards.

Blogging the 2008 Boston Comedy Festival (semis 3-4)

Lessons learned from last night at the 2008 Boston Comedy Festival: Sometimes a comic plays very well to the back of the room, but not so much to the judges table in the second row; and sometimes, a show is so stacked with talent that it's difficult to pick just two comedians to advance to the finals. It was that kind of night. But you want to know who advanced and why.

Semi #3 winners, advancing to Saturday's Finals at the Cutler Majestic Theatre and a share of $10,000 in prize money: Rob O'Reilly and Mario DiGiorgio!

Wow. Just. Wow. Another comedian turned to me during DiGiorgio's performance and said "a set like this will win the contest." Which sounds like a good omen for him on Saturday. What the comic meant, I believe, is that DiGiorgio structured his set in such a way as to have broad mass appeal, with well-thought out material and a heavily layered closing routine that would earn points from the judges -- and for those of you who haven't been at the contest finals in a while -- those judges often include veteran old-time acts, such as Bill Dana, Norm Crosby, Shelly Berman, and this year, most likely the Smothers Brothers. You might be the cat's meow to all the cool kids these days, but your sense of humor might fly right past some judges. Anyhow. Where was I? Right. You may hear DiGiorgio's lengthy discussion of "the s-word" again on Saturday, so why would I ruin it? He also had a very clever idea about why Star Wars fan geeks might be virgins. O'Reilly went up after both Jessi Campbell and Andy Peters had raised their volume and the audience's to about 11.5, and immediately changed gears, saying: "OK, let's calm it down a bit." With his added time (sets expanded from 5 minutes in the prelim round to 8 minutes in the semis), O'Reilly joked about waking up drunk in Colonial Williamsburg and acting out the story of an early gig following a rowdy guy in an "urban" club. Campbell and Peters had gotten plenty of laughs from the back of the room, and Campbell, in particular, had gotten two separate applause breaks. One comic not in competition whispered, "First woman in the finals...nice." But it was not to be. Some of the judges thought Campbell and Peters were a bit too loud and/or in-your-face and/or inconsistent and/or overcompensating and/or something else they didn't tell me.

Which left only two more spots for the finals...

Blogging the 2008 Boston Comedy Festival (prelims 3-4)

Not all contest preliminary groups in the Boston Comedy Festival are created alike. That's the first thing that has to be said for prelims 3-4 last night. In the late show, you could make a case for at least eight of the 12 comedians to make it through to the semis, but there only were slots for four. As for the early show, well, that was a tougher show to grade, because quite a few comedians were off. Andrew Norelli, going up seventh in the order, used this as his opening remark to the audience at the Hard Rock Cafe: "I know we're making it look like it's not fun, but it's fun!" Also, each of the first four prelims has proved problematic for comedians attempting to deal with the wireless microphone -- grabbing it from the stand, at least one comic per group manages to turn the mic off, and thereby momentarily derailing their sets. Tech proficiency can be just as important in delivering and connecting with the audience. Please make a note of it. Thanks. With that, let's get to who advanced and why...

Prelim 3 winners: Andrew Norelli, Tom Dustin, Eric Hunter, Rob O'Reilly

Norelli acknowledged the early roughgoing and proceeded to get the audience on his side by talking about steroids in baseball, and how other drugs might make it better. A routine on massages went from happy endings (predictable) to massage talkers and the inanity of the phrase, "Push the stress out your arms." He also has a good retort to porn stars who claim they don't know who he is as a comic, as well as people who claim they're broke but still have plenty of money.

Dustin opened with a passing remark to the stage: "Nice ramp. I would've brought my wheelchair if I had known." Tonight's show had plenty of comics noting their surroundings, by the way. But no one else in the contest had to deal with waitresses dropping the checks during their contest set. Dustin still managed to get their attention by talking about vibrators -- "OK, the lonely girl has spoken!" Dustin noted in reference to one shouty audience member -- and jokes about sex and work and things you don't want to hear in bed. I'd heard it all before. It still worked.

Hunter could have had a terrible set by opening rather loud on the mic, but once he focused his routine on one lengthy bit about the many enticements and redeeming qualities he offers the ladies -- namely, everything they tend to like and act like -- got his vocal delivery in a more appealing rhythm that worked. "I'll be by that instrument after the show," he said, in case you wanted to take him up on that offer. Good luck.

O'Reilly also overcame a mistaken gametime decision. For reasons only he can explain, he decided to stop his routine in the middle to engage in crowd work with retired women in the front table. Crowd work that didn't go anywhere. And this was in the middle of O'Reilly joking about sex. His jokes about being a bastard do provide him with a solid line, however, that he can use for callbacks and laughs.

Others in this group deserving mentions of one sort or another: Jono Zalay wore an American flag sweater but didn't explain it, instead delivering a routine about feeding cocaine to rats and monkeys (it's for his studies). Dustin Chafin was rough around the edges, which works better in NYC where he lives now than in the Hard Rock in Boston (especially with the retired ladies up front), and went with midgets, redneck jokes, Bush is dumb, and a good line about how Obama can look more patriotic (hint: Apollo Creed). "Yay!" may not be the most effective catchphrase to utter every 15 seconds. "Big" Alvin David and Kendra Cunningham both had a fun presence, and plenty of crowd support, but couldn't translate that into winning sets. Shawn Donovan picked his doctor just for the name and comedy premise alone, but needed to sell it better. I can see why Myq Kaplan liked Donovan's style (Donovan even borrowed Kaplan's phrase and inflection to deliver one punchline?!).

OK. Moving on...

Shoot the Messenger visits the 2008 RNC

The Daily Show is not the only faux news team in the Twin Cities this week for the 2008 Republican National Convention. Lizz Winstead brought her Shoot the Messenger crew from New York City to Minnesota, where they're in the middle of a three-night run at the Parkway Theater in Minneapolis (final show tonight at 7 p.m.). The StarTribune talked to Winstead about the field trip -- we learn her brother is the Republican mayor of nearby Bloomington -- and here, we can see an excerpt from their first night's show on Tuesday, which, for those of you who need reminding, is built around "Wake Up World with Hope and Davis," the nation's only six-hour morning program hosted by Hope Jean Paul (Winstead) and Davis Miles (Baron Vaughn):

Meet the Awkward Kings of Comedy

The Original Kings of Comedy tour and Spike Lee documentary film helped spur a new wave of business for stand-up comedy and comedy films, including "Blue Collar," Latin and female versions, as well as the Comedians of Comedy. But what about the black nerd alternative comics? Yeah. What about...wait. What? That's the basis for the upcoming Awkward Kings of Comedy special, conceived by comedian/actor/don't-forget-black-albino Victor Varnado, and including Baron Vaughn, Eric Andre and Hannibal Buress.

As the film's site says: "These are nerds who don't need any revenge, just a mic and an audience who cares about smart comedy from a personal perspective. All together, the Awkward Kings will show the world doofy jokesters are to be laughed at on their own terms." In addition to live performance footage -- to be shot Sept. 23 at the Bleecker Street Theater (45 Bleecker St., New York, NY) -- there will be offstage profiles and interviews with each of the comics, conducted by stand-up Marina Franklin. Tickets to the Sept. 23 show are free, but you have to make a reservation in advance by calling 800-521-4205 or emailing kings@supremerobot.com, and letting them know how many tickets (limit: 4) and for which show (6 p.m. or 8:30 p.m.) along with a number and email where you can be reached.

Rififi: This is the end, the end my friends, the end

Why would anyone mourn a venue that's essentially a dive bar with inconsistent air conditioning, horribly horrible bathrooms, a movie screen that had a massive tear in it (until, ha-ha, this past week!) for a place that still had a sign outside boasting it was Cinema Classics, and really, all of the fun that the East Village had to offer? Then again, the independently-produced comedy community of New York City has been through this before, whether it was last year at Mo Pitkins or years ago with Luna Lounge. So there we were, after an abrupt email sent out in the wee hours yesterday morning, trying to figure out if it really would be the final hours for comedy at Rififi. Spoiler alert: It was.

While rumors flew about what made July 30 the last night for Rififi (a month-to-month lease that finally found someone willing to pay the increasingly high East Village rents seemed to be the leading speculation), the indie comedy scene hastily recast the weekly Gelmania show originally scheduled for this Wednesday night. The hosts from Thursday's Totally J/K (Joe and Noah) and Friday's Greg Johnson and Larry Murphy Show certainly would be there. So, too, would many others come to pay final respects. The Whitest Kids U Know, Andy Blitz and Todd Barry showed up as spectators. The final bill would see Joe Mande and Noah Garfinkel take over first-half hosting duties, with one final "List of Nothing" and a joke Mande had uttered earlier in the day via Facebook, that the current Rififi owner would be fleeing on Thursday and taking all of the Glade air-fresheners with him to "Molester Town." Gabe and Jenny (Gabe Liedman and Jenny Slate) returned to host the second half. The final schedule will show that Adam Newman, Pete Holmes, "John McCain," Baron Vaughn, John Gemberling, Slightly Known People, Hannibal Buress, Tom McCaffrey, Chelsea Peretti, Greg Johnson and Larry Murphy, Jon Glaser, John Mulaney, Leo Allen and Eugene Mirman took part in this last Rififi effort. There was a one-woman lip-synch effort to Les Miz with Pez, or is that called Pez Miz? Mirman shouted out requests to Glaser to "do some oldies!" Mulaney even used the opportunity to try new jokes! The show began auspiciously late (?) at 9:11 p.m. and lasted past midnight, with Mirman taking the stage at 12:01 a.m., getting all rock 'n' roll by play-real trashing the stage, and Leo Allen rejoining him onstage for some last-minute banter that was odd and appropriately poignant for the occasion.

Among the quips I quoted...

"Rough week, first Bennigan's, now Rififi!" -- Pete Holmes

"I like how the owner never learned our names," Jenny Slate said. "And we had a show here for two years," Gabe Liedman replied. "Well," Slate said, "He only knew me by who I was sleeping with."

"So, Rififi's closing...ninth time's the charm, right?" -- Tom McCaffrey

"I only saw the last episode of Seinfeld, if that makes you feel any better." -- Chelsea Peretti

"I could stand up here and tell jokes that I've told 5,000 times on this stage, and I think I might." -- Greg Johnson

"Greg Johnson and I tried to save Rififi once." -- John Mulaney, adding that they discovered at a city meeting that, at that time, Rififi didn't even have a license to host live events such as comedy. Rut-ro!

"I like Rififi because you could do things that you thought were funny, but most audiences would  disagree vehemently with you." -- Leo Allen

"When you leave, take a door with you!" Eugene Mirman said, then made some banging noises on the ceiling. "Oh, wait. The neighbors will complain...to the next landlord."

I have video of the final 13 minutes of the show, after the jump. You may think it a bit anti-climactic, but remember, comedians and fans didn't really have much of a chance to plan this out, even though we all knew this night would be coming sooner or later. Perhaps all of those false closing rumors of Rififi made some believe the dive would never change hands. This night proved us wrong. So now where does this scene hang out and perform now? Suggestions and thoughts encouraged in the comments. Don't be shy.

Live at Gotham: Baron Vaughn

Baron Vaughn discusses the peculiarities of the "10-second rule," or however many seconds it may be in the town where you grew up. More tonight on Comedy Central's Live at Gotham (10 p.m. Eastern/Pacific).

Updated, with another clip in which Vaughn talks about the Web site for the Klan. Yes, that Klan.

Shades of Black, the BET taping

Word has it that BET is working on a documentary special for this summer on black comedy. A crew interviewed the members of the Brooklyn Comedy Company (Baron Vaughn, Elon James White, Jordan Carlos and Michelle Buteau) last month and will be recording footage Saturday night at a special edition of their "Shades of Black" show, which also features a set from Chicago's Hannibal Buress (not pictured!). Tickets are free. But space at The Tank theater in Tribeca is not exactly large. Further info in my upcoming NYC shows calendar. White said he and his comedian cohorts talked about the concept of "black alt" comedy. BET reportedly interviewed Bill Cosby earlier, as well as Cedric the Entertainer and Dick Gregory. "I'm happy they approached us about it," White told me. Go to the taping Saturday night and learn more!

No Prior Knowledge: Battlestar Galactica

Battlestar Galactica begins its fourth and final season April 4 on SciFi, and comedian/vlogger Sean Crespo has a pretty good idea of what you should expect to learn as the immensely popular remake nears its epic conclusion. Even though he hasn't seen a single episode from season four. That's why his new Television Without Pity vlog series is called "No Prior Knowledge." Crespo gets an assist here from Baron Vaughn, Carol Hartsell and Sara Jo Allocco.

Note: Currently experiencing embedding difficulties. Please try this link instead. Thanks for your patience.

EXCLUSIVE! Behind the scenes of Live at Gotham 2008

The 2008 season of Comedy Central's Live at Gotham debuts the Friday after Memorial Day. But why wait that long for some deep dish insider exclusive scuttlebutt? Especially when we got plenty of bits of tid to share just from swinging by the tapings on Saturday and Sunday at Gotham Comedy Club.

Let's get to it! First off, don't be surprised if many of the guys have a similar look. It's not a new fashion trend in stand-up comedy for the summer/fall runways -- it's a Comedy Central/Levity edict: No red, no patterns, no logos. Also, we learned that TV's standards and practices (read: the censors!) sometimes can actually make your jokes funnier. Matt McCarthy had to change one of his lines from "choke her to death" to "murder her to death" (see? funnier, right?) so it wouldn't sound as though he were endorsing domestic abuse. Baron Vaughn said he couldn't say "KKK.com" in a joke, but realized he didn't need to spell out the Web site for the joke to work. Vaughn noted that Patton Oswalt got a new six minutes out of one joke he had to change years ago for Comedy Central.

Matt McCarthy: Live at Gotham interview
Uploaded by thecomicscomic

Vince Averill was more than just happy to be there. He only got the gig on Wednesday after another comedian couldn't fulfill his or her duties. From first alternate to TV credit. Congrats, Vince.

Lucas Molandes had a funny cover line when the audience didn't know how to react to his dreamcatcher joke: "Sorry I blew your minds with awesome!"

Joe List uses nervousness in his act, so even if he was nervous about his first TV taping, it wouldn't show, would it? Let's ask him, after he's done.

Joe List: Live at Gotham interview
Uploaded by thecomicscomic

Sunday's final two show tapings had plenty of odd incidents, starting from the top when early show host D.L. Hughley walked offstage with the mic, leaving Paul Ogata wondering what to do. Fortunately, Ogata had a relevant bit at the ready and raring to go. Myq Kaplan blew plenty of minds with his awesomeness, earning multiple applause breaks and the attention of everyone downstairs in the lounge/green room. Very poised. Kaplan told me he had an even better set last week at a showcase for Eddie Brill -- if so, man, Kaplan is on his game. And he didn't let the cold/flu get in the way of delivering a shining performance that'll certainly get him industry attention. Hughley then got Liz Miele's name wrong even though they had the pronounciation in the teleprompter (they should clean that up later, right?) but she seemed unfazed. Shane Mauss, watching his fellow Bostonian Kaplan tear it up, announced he'd go up and get 12 applause breaks. He just might've done it, too. But what I remembered most about his set was seeing him have an "American Idol moment" when the camera panned across the stage and in close-up, Mauss gazed directly in the camera to deliver the set-up punch to his vegan coffee joke.

The biggest thing about the late show Sunday, other than Daniel Tosh and his strong hosting set, was the light show. As in, the lights failing multiple times, most notably during Matt Braunger's set. He was a trooper, though, even starting from the top a third time which must've been difficult considering he had a weary live TV audience to deal with (they can clean that up with his earlier takes, right?). The first time the lights went out on Braunger, without missing a beat, he broke into song: "When the lights...go down...in the city!" Tosh had to return to the stage. "The lights are overheating," he explained. "Which is really good for comedy." During one such break, he exclaimed: "Let's do jokes that won't air. Do you know who loves to get fisted? Sock puppets."

Mary Mack was very nice and funny and you can join us in her writers club, as soon as I find it.

Raj Desai and Anjelah Johnson were both so fun to talk to during the afterparty that I wished I'd seen their Gotham sets earlier last week. James Smith told me he forgot one joke in his set, but I told him not to worry...he can tell it during his next TV apperance! The afterparty brought out most of the comedians who performed during the weekend, plus their friends and plenty of other New York comics. Good times. On a Sunday, even.

Related: Paul Ogata shares his Gotham experience with the folks at Shecky. The Live at Gotham site.

Shoot the Messenger at 45 Bleecker

If you haven't seen Lizz Winstead's latest creation, then you're missing out. Winstead, who co-created The Daily Show and later went on to Air America Radio, now has her sights set on skewering morning TV. Her Monday night show, Shoot the Messenger, recently moved into larger digs at The Green Room at 45 Bleecker. In the new venue, the set design and everything else feels much more like an actual morning TV program (even if it's not actually six hours, as advertised in the tagline for "Wake Up World with Hope and Davis," TV's only six-hour morning 'infonewsment' show). There are the requisite sofa, chair and coffee table. A separate news desk.

Benari Poulten plays the frat-tastic energetic audience warm-up guy. Baron Vaughn as Davis Miles plays affable co-host to Winstead's ridiculous Hope Jean Paul. Each week typically features a taped interview segment with self-help author, "Life Expert" Dana Levan (Carol Hartsell). A big screen behind the stage plays these pre-taped bits, new toons, and last week offered a well-executed debate between other 24/7 network anchors (played by Lucas Held and Sean Crespo) with Vaughn moderating it live.

Here is a segment from last Monday:

And here is a toon they produced about the Democratic horse race:

It's unlike The Daily Show, which makes direct jokes about actual news and newsgatherers, nor is it like The Onion News Network, which is all about fake news. No. Shoot The Messenger aims somewhere in between, poking fun at the actual ridiculousness of morning TV news. After each week's 45-minute production, there's an intermission, after which Winstead returns to the stage as herself to talk about what they're up to, then interviews a special guest. Last week, she talked with Andy Borowitz about the 2008 campaign. Borowitz complimented Winstead on creating "a fully realized character" as well as the technology behind the production.

Tonight's Shoot The Messenger won't be the usual production, however. Instead, Vaughn and Darbi Worley will host a show centered on the several comedians who contribute to the program, with video highlights of their contributions followed by their stand-up. On the bill: Jeff Kreisler, Sean Crespo, Lucas Held, Baron Vaughn, Carol Hartsell and Jamie Kilstein.

Shades of Black and the BCE

The Black Comedy Experiment worked (!). Who knew? Crowds packed The Tank for the final night of shows on Saturday. If there's any one show that defines the "experiment," it'd have to be Shades of Black, because that stand-up showcase exists to prove that there's no singular definition for a black comedian. Michelle Buteau hosted and had the crowd rolling with her issues -- "Who said it? Yeah, I said it!" -- while Baron Vaughn killed with bits about his girlfriend's voice mails and the silliness of the KKK Website. Donald Glover deftly told the crowd to lower its expectations before telling funny stories and delivering impersonations of Barack Obama, Tracy Morgan on a PTA visit (whom he writes for on 30 Rock) and Chris Rock in a reinterpreted bit called "Black People vs. Vampires." BCE creator/producer Elon James White followed and challenged the audience by saying he was afraid of "retard babies" and didn't think his girlfriend was hot like a Pussycat Doll (White told me later that he'd killed with 15-20 minutes earlier that night at Laughing Liberally, so he wanted to switch things up). Victor Varnado closed the show with solid energy, and noted his albino status right up front, asking Shades of Black: "How far are they going to take it?" Varnado has a great new(?) bit about playing a practical joke on his white girlfriend.

Earlier: My interview with Elon James White.

Experiment: White on Black Comedy

If there's such a thing as alt-comedy, then can there also be such a thing as alt-black comedy? Elon James White thinks so. White and fellow New York comedian Baron Vaughn have been trying to educate audiences on the notion that there are many different types of black stand-up comedy, through their Shades of Black shows, their online site, The Black Comedy Project, and this weekend, their first full-on comedy fest, The Black Comedy Experiment. The "Experiment" debuts tonight and runs through Saturday night, with all shows at the two venues in The Tank.

Tonight's mainstage shows are Souled Out (featuring Walli Collins, Rick Younger, Leighann Lord, Dean Edwards, Mike Yard and Marc Theobold) and Desiree Burch's 52-Man Pickup. Other one-person shows include "The Oreo Kid" by Jordan Carlos (who auditioned last week for Saturday Night Live as a potential Barack Obama), "30 Years in Africa" by Michelle Buteau, Robin Cloud's "Bag O' Bitches," "Mystery Up at Negro Creek," by Baron Vaughn, and "2-Faced" by Erica Watson. There'll be special editions of Chicks and Giggles, Laughing Liberally and Shades of Black. And that's not all.

That SNL just got a lot of buzz over their search for a cast member to play Barack Obama only brought more attention to the plight of black comedians in getting the industry to notice them. "We couldn't ask for better timing, literally," White told me last night. That SNL didn't cast a black comedian for Obama didn't surprise White. That Jordan Carlos and Donald Glover got face time with Lorne Michaels pleased him, though. "I was happy that two of the three Obamas were on our festival. There's our buzz!"

In White's view, the fact remains that most audiences and Hollywood industry types think of only one type of comedian when they think of booking a black stand-up. They think of Def Jam, he said. "Everybody feels I'm harping on it," he said. It's not that Def Jam is evil or bad, he said, but rather that the great success of Def Jam created a model that everyone else has tried to duplicate without thinking or considering other forms or styles of comedy. That's been the pattern, White says, going back to Bill Cosby. When Richard Pryor emerged, "he kicked the door down," but then other comics tried to be Pryor, then tried to be Eddie Murphy, then tried to be the Wayans Brothers, and more recently, Def Jam. "It was just bravado. In your face," White said. "But it pigeonholed us for years." The opportunities simply aren't there, from SNL to HBO. "Dwayne Perkins might get to do Conan. But where's his HBO special?" White's online essay in October, "Did Def Jam Ruin Black Comedy?" sparked a furious back-and-forth debate with comedian Todd Lynn. "Todd Lynn says there ain't no thing as an 'Intelligent N----r' show. The fact is, though, he thinks there's one way of doing it, but in my opinion, there are many ways of climbing the ladder," White said.

He acknowledges that "the chitlin' circuit is strong in Harlem and the Bronx," and that New York City has lots of black comedians and black rooms, but wonders where the mainstream breakthroughs are for them. And White also knows that even though he's a Bed-Stuy Brooklyn native, he sounds like he's British and doesn't always fit in either an urban Def Jam scene or a white scene. "There are jokes I have that I can't tell in front of a white audience. It's because they just don't get it, nine times out of 10. They don't have the same life experience I have." So there has to be another way. "It was the same when the alt-comedy scene started. That's why I believe in alt-black," he said. "Some people argue I'm just putting another label on them and I understand that."

Like the comedians who formed an alternative to the club scene so they could work and build their own fan bases, White hopes to do the same for the many "shades of black" comedy. He's not against "urban or Def Jam" comedians who are good, saying Patrice Oneal is great and killed on that show. He's against black comedians who are hack about their blackness, such as the woman who threw her weave into the audience to get a standing ovation.

White still doesn't know if he and Vaughn and the experiment will succeed. "If we make enough ruckus, at least we'll be a footnote," White said.

Tuesday To-Do's: Sweet, Hicks, Fluff

If you're looking for something to do tonight in New York City, and think it might be a wee bit crowded at Rififi for night two of the Invite Them Up finale, then here are three shows to consider...

1) Sweet. Seth Herzog's weekly comedy showcase at The Slipper Room on the Lower East Side is one of the more unique experiences you can find, even among the myriad of offerings in New York City's comedy scene. Herzog exemplifies the term "host with the most." This guy gives audiences more material to chew on every Tuesday night than other hosts, and you never quite know what's going to come out of his mouth next. He might dress up as Wonder Woman. He might dance up a storm. He might ramble on. You just never know. You do know, however, that you'll get to hear him chat up his mother -- who has her own cadre of comedy fans. Think of David Letterman's TV routines with his mom back in the day, then add a heaping dose of Mama Herzog reality. Seth also grew up as childhood friends with Michael Showalter, so there's that to consider. And he has a mailing list and fan base that seems to include every performer in this city. On recent visits, I've spotted actresses Natalie Portman and Kristen Johnston in the audience. Herzog also has a sidekick/DJ by his side each week, which adds some ad-libbed banter and fun to the proceedings. Herzog's guests tonight include Michael Showalter, Laura Krafft and Kumail Nanjiani. He also has some surprise guests on the agenda. Oh, and if you know of any real-estate deals, please let Seth know. He needs to move out of his infamous spot.

2) Diamonds in the Fluff. Jamie Lee (day job, Comedy Central publicist; night job, stand-up comedian and show producer) launches a new monthly comedy benefit show at Hugs in Williamsburg, with all of the proceeds helping the Brooklyn Animal Rescue Coalition. Lee's guests tonight are Diana Saez, Eric Andre, Baron Vaughn, ventriloquist and musician Carla Rhodes.

3) And in the last, but certainly not least department, Gotham Comedy Club hosts a Bill Hicks tribute tonight. Hicks died 14 years ago today. Jesse Joyce will host, with live performances by Ted Alexandro and Greg Giraldo, recorded footage of Hicks -- including portions of a new documentary in the works by the BBC -- and a live Q-and-A with his only brother, Steve Hicks. It'll cost you $20 and two drinks, but the $20 goes to the Bill Hicks Foundation for Wildlife Rehabilitation. 

Who will play Obama on SNL?

Lorne Michaels made the interview rounds yesterday to promote the return of Saturday Night Live, and more than a couple of people wondered who'd play Barack Obama. Michaels wonders, too. He told the USA Today that he auditioned candidates last week, "and expects to pick from two or three late Thursday." I don't get the sense that current cast member Kenan Thompson has an Obama impersonation, so it's more likely for someone else to get the gig. But whom? Obama likes to say the election campaign is about the past vs. the future. So might Lorne Michaels' decision. He could look to the recent past and invite Dean Edwards back into the fold. Edwards has plenty of experience with impersonations. Or Michaels could look to the future. Donald Glover, as a writer on 30 Rock, has an in with Tina Fey, and sketch/improv experience with UCB's Derrick. Speaking of the New York branch of the UCB, there's also Justin Purnell, who hosts the weekly School Night showcases. I also thought of my friend Baron Vaughn, who has acting chops to go with his stand-up delights (you can see him most Monday nights co-hosting Shoot The Messenger's satirical morning show with Lizz Winstead), but when I reached him by phone, he was in St. Louis at the national NACA conference which I could've learned from reading his MySpace page. What? You want more name speculation out of me? How about Leonard Robinson?

Whom else should Lorne be considering for the choice role of Obama on SNL? And do you think the guy who gets the gig will get a chance for non-Obama parts in the show, too?

UPDATED! My friends at Whip It Out Comedy already have suggested another worthy candidate: Wyatt Cenac. How worthy is he? Well, just check out the Obama video he recently posted to Funny Or Die.

EXCLUSIVE: Behind the scenes of Last Comic Standing

I may have boycotted the open-call line last Thursday for the New York City auditions for season six of NBC's Last Comic Standing, but that didn't mean I'd miss the boat completely on this opportunity to report from the belly of the beast. Especially when I learned on Friday that several comedians I know were getting called back for TV duty. No lines. Just a few dozen stand-up comedians, sitting around, biding their time for the cameras and special judges Richard Belzer and Steve Schirripa and host Bill Bellamy and everyone else to get ready to roll. Even Barry Katz was in the house, and shook my hand upon hearing me call out his name.

And here's what that scene looked and sounded like. Dan Naturman, whom LCS viewers and comedy fans remember as the guy who got robbed of a spot on the show four years ago when the producers overruled judges Drew Carey and Brett Butler, returned for another go at it. Naturman and Baron Vaughn here talk about joke wording as Michelle Buteau, Eric Andre, Jackie Monahan and others wait for their names to be called.

Last Comic Standing NYC auditions
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Moments later, I catch up with host Bill Bellamy, here seen talking with Boston stand-up Myq Kaplan about character-based comedy versus stand-up.

Behind the scenes: Last Comic Standing
Uploaded by thecomicscomic

Bellamy and I talked briefly about how his HBO Young Comedians special has been reairing, and he tried to recall his "Tingle Man" bit for us. Then producers called him over to record four takes of teases to intro the NYC auditions. Bellamy really liked pronouncing Schirripa's Sopranos character name. Apparently, five or six comedians (Carla Rhodes and Carolyn Castiglia, among them) already had been waiting inside Gotham Comedy Club's mainstage this whole time (at least a half-hour, maybe much longer) for their two-minute televised audition. Not that everyone, even among these professional comedians with appointments made via their agents and managers, would get the full two minutes. Belzer and Schirripa would prove tough to please. And I could see how it'd be difficult not to take their rejection personally, despite the fact that this is above all else a "reality" TV show. Because you don't normally walk out of an audition, after hearing very critical things said about your performance, to find a camera crew on the other side of the door. As Mike Birbiglia said recently, comedians have to be delusional because an audience that doesn't like your comedy in effect doesn't like you. Some comedians fought back tears. Many muttered profanities about the judges. Eric Andre went into a tirade of riffs so hilarious that the camera crew could barely contain themselves, making me wonder if they might invite him to another audition because of it. That same afternoon, I heard a producer say he thought Belzer and Schirripa were perfect judges for LCS and wished he could have them on every stop. And they did say yes to more than a dozen acts, so they could be swayed. I tried to provide some moral support to Friday's auditioners. Reminding them this is a TV show. Reminding them that it's not about how much funny you have, but about making those two judges laugh in two minutes or less. Reminding them that the judges would already have an impression about you before you opened your mouth. That said, I'm not sure some of the comedians made the best choices to showcase themselves that day. And I definitely don't understand why some of the yahoos who showed up at the end of the afternoon even bothered. The end of the day was when producers had the "wacky" contestants make fools of themselves, all for the chance to be mocked on national TV. Way to go. When Belzer walked back toward his trailer, some of the lucky few were filling out paperwork before that night's showcase. Belzer stopped, pointed at God's Pottery and shouted, "Funny!" He also stopped to praise Stone & Stone once more. No wonder, then, that both duos survived that night's eliminations. But what are duos doing in a stand-up competition? Not sure. At least they'll get some positive press out of it and perhaps some better gigs, if not more.

UPDATED: Oh, I forgot to mention this earlier, but if you thought making a joke about babies was going to get you on TV, you're probably right. They also recorded Bellamy teasing a "dead-baby montage." Congrats?